Grad Art

Events

12/16/18

OPENING LECTURE: TURNER AND CONSTABLE–Alexis Goodin

Alexis Goodin, curator of Turner and Constable: The Inhabited Landscape, discusses the human element in landscapes by Britain’s leading artists of the genre in the nineteenth century. Goodin identifies the personal connections artists had with their subjects—buildings, people, and places—and …

11/27/18

Lecture: Jill Casid — Necrolandscaping on the Border

Clark/Oakley Humanities Fellow Jill Casid presents “Necrolandscaping on the Border.” In recent calls for an ecological aesthetics capable of reckoning with global Anthropocene crisis, landscape’s colonial and neo-colonial dreamwork, master-of-all-I-survey perspectives, and distanced way of seeing that reduces nature to …

11/18/18

Public Lecture–THOMAS KRENS: BILBAO

The Clark welcomes Thomas Krens, chairman of the Extreme Model Railroad and Contemporary Architecture Museum and Director Emeritus of Solomon R. Guggenheim Foundation, for a series of four talks focused on the importance of art and architecture in shaping the …

11/15/18

Making Material Histories: A Close Look at 19th Century Hawaiian Language Texts in the Williams Archives

Jeffrey Kapali Lyon, Associate Professor of Religion, University of Hawaiʻi at Mānoa This program series, presented in conjunction with “The Field is the World: Williams, Hawai’i, and Material Histories in the Making,” explores how methods of collecting and displaying material …

10/5/2018
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11/13/18

Lecture: JOHN MCHALE AND THE DISSOLVING ARCHITECTURE OF POP

Beinecke Fellow Mark Wigley presents, “John McHale and the Dissolving Architecture of Pop.” The British artist John McHale made some of the most radical and prophetic propositions about art, information, media, ecology, education, social life, prosthetics, the body, buildings, and …

11/11/18

Michael Hartman–OPENING LECTURE: EXTREME NATURE!

Nature’s limitless possibilities inspired nineteenth-century artists who transformed hazardous weather, natural disasters, and the Earth’s darkest caverns into awe-inspiring portrayals of natural phenomena. Curator Michael Hartman, Williams MA ’18 and current PhD student at the University of Delaware, examines how …

11/1/18

Campus Conversation: Grappling with our Histories

A conversation for students, faculty, and staff of Williams College to reckon with the histories surfaced in ““The Field is the World:” Williams, Hawaiʻi, and Material Histories in the Making.” WCMA Nov. 1  7-8pm

10/5/2018
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10/30/18

Lecture: Doron Bauer–THE AESTHETIC COLONIZATION OF CONQUERED ISLAMIC CITIES

Center for Spain in America Fellow Doron Bauer presents, “The Aesthetic Colonization of Conquered Islamic Cities: From Palma de Mallorca to Tel Aviv.” A detailed examination of the transformation of Islamic Madina Mayurqa into Christian Palma de Mallorca after the …

10/21/18

Public Lecture–THOMAS KRENS: ART, MONEY, OIL AND GUNS

The Clark welcomes Thomas Krens, chairman of the Extreme Model Railroad and Contemporary Architecture Museum and Director Emeritus of Solomon R. Guggenheim Foundation, for a series of four talks focused on the importance of art and architecture in shaping the …

10/20/18

The Annual Plonsker Family Lecture in Contemporary Art: 25th Anniversary

An afternoon of music and conversation on cultural and artistic production in and out of Cuba. Featuring multimedia artist Nestor Siré, scholar Paloma Duong, and musicians Neil Leonard and Miguel Núñez. The Plonsker Family Lecture Series in Contemporary Art, established …

10/5/2018
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10/18/18

Season Celebration at WCMA

WCMA’s Season Celebration Meet our new Class of 1956 Director Pamela Franks and celebrate our fall exhibitions: The Field is the World, Kay Sage: Serene Surrealist, Anicka Yi: Our Love Is Bigger Than an AIDS Quilt, Diana Al-Hadid: Delirious Matter, …

10/5/2018
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10/17/18

Making Material Histories: Curating the Kalākaua Era in the 21st Century

Healoha Johnston, Interim Director of Curatorial Affairs, Curator of the Arts of Hawaiʻi, Oceania, Africa, and the Americas, Honolulu Museum of Art This program series, presented in conjunction with “The Field is the World: Williams, Hawai’i, and Material Histories in …

10/5/2018
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10/16/18

Lecture: Gülru Çakmak–PAINTING, PHOTOGRAPHY AND THE LONG DURATION OF HISTORY IN OSMAN HAMDI’S PAINTINGS

Florence Gould Foundation Fellow Gülru Çakmak presents “Painting, Photography and the Long Duration of History in Osman Hamdi’s Paintings.” In this talk, Çakmak will discuss a series of paintings made in the 1880s and 1890s by the Ottoman painter Osman …

9/20/2018
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9/25/18

Lecture: Frédéric Ogée – TRUTH AND NATURE IN BRITISH ART

Kress Fellow in the Literature of Art before the Age of Art History Frédéric Ogée presents “Truth and Nature in British Art.” This lecture will survey British artists’ writings from c. 1700–1920, bringing out the priorities and values shared by …

9/20/18

Talk Together: Cultural Appropriation

This week’s conversation around “Dance We Must,” which has been shaped jointly by WCMA staff and students, will explore the following: What do we make of the phrases cultural appropriation vs. cultural appreciation? How do we negotiate the categories of …

8/18/18

Berthe Morisot and the Making of Modernity

In the second half of the nineteenth century, Paris attracted women artists from around the world, drawn to the city’s academies, museums, studios, and salons. Guest lecturer Nicole Myers, Curator of European Art at the Dallas Museum of Art, discusses …

7/14/18

Rivalry and Resolve: Marie Bashkirtseff and Louise Breslau in Late Nineteenth-Century Paris

In the second half of the nineteenth century, Paris attracted women artists from around the world, drawn to the city’s academies, museums, studios, and salons. Guest lecturer Jane R. Becker, collections management associate at The Metropolitan Museum of Art, discusses …

6/30/18

A Conversation with Jennifer Steinkamp

Join Senior Curator Esther Bell as she welcomes Jennifer Steinkamp for a one-on-one conversation in conjunction with the exhibition Jennifer Steinkamp: Blind Eye, the groundbreaking video installation on view in the Lunder Center at Stone Hill from June 30–October 8. …

6/24/18

Opening lecture–The Art of Iron

Before the advent of modern building materials, iron was used for everything from architectural gates and grills to household implements. Exhibition curator Kathleen Morris discusses some of the extraordinary objects included in the exhibition and what they tell us about …

6/10/18

Women Artists in Paris–Opening lecture by Esther Bell

In the second half of the nineteenth century, Paris attracted international women artists, drawn to the city’s academies, museums, studios, and salons. Curator Esther Bell considers the influential, often-overlooked work of these artists, as well as the barriers they encountered …

5/18/18

The Resonant Object: A Symposium to Honor Charles W. Haxthausen

Nearly twenty years after the landmark Clark Conference “The Two Art Histories,”  graduates from the Williams-Clark program will gather to honor its former director, and to consider the intellectual, vocational, and pedagogical challenges posed by the art object with new …

5/6/18

The Landscape of the Modern Museum: A Conversation

What role does the modern museum play in the landscape and community in which it resides? How does leadership navigate the delicate line between stewardship and evolution? Clark Director Olivier Meslay joins Clark Grounds Manager Matthew Noyes, Chief Apiary Inspector …

5/1/18

Shira Brisman Lecture: The Provisionality of Sixteenth-Century Designs

Kress Fellow in the Literature of Art Shira Brisman presents, “The Provisionality of Sixteenth-Century Designs.” In the sixteenth century, as goldsmiths affiliated with families such as Jamnitzer and de Bry began to publish their engraved designs for objects that could …

4/17/18

Nina Dubin Lecture: Master of the World

Clark Visiting Professor Nina Dubin presents “Master of the World.” In the wake of the world’s first international financial crisis, Cupid claimed pride of place in French eighteenth-century art. The naked, winged infant deity personified not only the folly of …

4/15/18

Matthew Hargraves lecture: Visionaries: Romantic Drawings from the Thaw Collection

Drawn to Greatness includes some of Eugene Thaw’s finest Romantic drawings, among them outstanding works of art by William Blake, Caspar David Friedrich, and J.M.W. Turner. This lecture by Matthew Hargraves, chief curator of art collections and head of college …

4/4/18

Yasmine Taan lecture: Establishing an Arab Modern Visual Culture

Yasmine Nachabe Taan, Associate Professor at the School of Architecture & Design at the Lebanese American University, will discuss the breadth and depth in Hilmi al-Tuni’s illustrations and Abdulkader Arnaout’s typographic work. She will first highlight Arnaout’s contribution to the …

4/3/18

Close Look with Artist Lordy Rodriguez

Close Look: Mapping Stories Professor of Geoscience José Constantine and Artist Lordy Rodriguez discuss Rodriguez’s conceptual maps that visualize global relationships, history, and culture. Tuesday, April 3 at 4:00pm Williams College Museum of Art–Object Lab gallery

4/3/18

Daniel Savoy Lecture: Food for the Soul

Holly Fellow Daniel Savoy presents “Food for the Soul: Michelangelo, the Laurentian Library, and the Body’s Spiritual Nourishment.” In his celebrated book, The Architecture of Michelangelo (1961), the late James Ackerman (1919–2016) interpreted the Library of S. Lorenzo in Florence …

3/26/18

Other Uses Film series at EMPAC– Ulysses Jenkins

Curated by Lucas Matheson, Williams Graduate Program MA ’18, the fifth screening in EMPAC’s Other Uses film series features the work of Ulysses Jenkins, whose videos examine television’s power to shape current events and historical episodes.Ulysses Jenkins is an artist …

3/14/2018
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3/13/18

Public Lecture: The Hagiography of Place

Mellon Decade Fellow Kevin Carr presents, “The Hagiography of Place: Illustrated Legends of the Zenkōji Triad and the Formation of Sacred Cartographies in Medieval Japan.” In medieval Japan, why did people make pilgrimages and donate to religious centers? What role …

3/4/18

John Marcieri lecture: From Natural to Artificial and Back Again

Focusing on the Renaissance and Baroque drawings in the Thaw Collection, including examples by Pisanello, Mantegna, Fra Bartolommeo, Altdorfer, Claude Lorrain, Rubens, and Rembrandt, this lecture given by John Marcieri, Charles W. Engelhard Curator and Head of the Department of …

2/13/18

Public Lecture: Rococo Thought Patterns

Lauren Cannady presents “Rococo Thought Patterns.” If eighteenth-century curiosity cabinets were repositories for the dead and ossified, the garden was a parallel cabinet that provided a space for the viable, for living curiosities. Given that the organizing principal of the …

2/1/18

Public Lecture: Titus Kaphar Speaks: Making Space For Black History

Mixed media artist Titus Kaphar presents a free lecture, “Making Space for Black History: Amending the Landscape of American Art,” as part of Claiming Williams Day, a campus-wide program at Williams College that focuses on building and sustaining a more …

1/11/18

Getting a Read On : The Body

A new program series called Getting A Read On The Body will happen at WCMA, the first installment of which will take place Thursday, Jan 11 at 5:30 PM in WCMA’s Reading Room. Come for some tea and conversation around …

1/8/18

Joseph Rodriguez, Acclaimed Documentary Photographer, to Speak

Internationally recognized documentary photographer, Joseph Rodriguez, will speak about his life-long passion for recording the stories of people whose lives are often ignored by mainstream narratives. A recipient of the “Pictures of the Year Award” by the National Press Photographers …

12/3/17

Lecture–Mary Cassatt’s Prints: Experiments in Understanding–Nancy Mowll Mathews

Art historian Nancy Mowll Mathews, Eugénie Prendergast Senior Curator, Emerita at the Williams College Museum of Art, explores how Impressionist artist Mary Cassatt worked with preliminary states (stages in the development of a print), which the esteemed print scholar William …

11/28/17

Object Lab Close Look Tour

Join Professor Nicolas Howe and students from his Environmental Humanities course as they discuss how culture shapes the representation and experience of landscape. Tuesday, November 28 at 4:00pm Williams College Museum of Art

11/28/17

Deborah Rothschild To Speak on Memorial Monument to Lynching Victims

The Equal Justice Initiative creates the country’s first national memorial to the victims of lynching. Deborah Rothschild is consulting curator to the Equal Justice Initiative and former senior curator at the Williams College Museum of Art. She will discuss the …

11/28/17

Public Lecture: The Political Body in Radical Women Latin/a American Artists, 1960-1985

Lecture by Dr. Cecilia Fajardo-Hill, a British/Venezuelan art historian and curator in modern and contemporary art, specialized in Latin American art. At present she is the co-curator of Radical Women: Latin American Art, 1960-1985, the Hammer Museum’s contribution to Pacific Standard …

11/14/17

Lecture: Andrew Scherer

Mellon Decade Fellow Andrew K. Scherer presents “Baak: The Qualities and Craft of Ancient Maya Bone.” This illustrated lecture explores the materiality of human and animal bone among the Pre-Columbian Maya (ca. 400 BCE to 1502 CE). The importance of …

11/5/17

Opening Lecture: The Impressionist Line–Jay Clarke

In the opening lecture for the special exhibition The Impressionist Line: From Degas to Toulouse-Lautrec, Manton Curator of Prints, Drawings, and Photographs Jay A. Clarke considers the hallmarks of “the impressionist line” by exploring works from the exhibition, including luminous …

11/5/17

Color, Light, and Movement in the Dances of Loïe Fuller–Jody Sperling

In this special artist demonstration, New York-based choreographer and dancer Jody Sperling presents a performance of solo dances in tribute to Loïe Fuller (1862–1928), a visionary artist whose performances drew on the light-play of Impressionism to create a new dance …

10/31/17

Lecture: Christopher Heuer

Christopher Heuer presents “Arctic Ink.” When a mysterious cache of sixteenth-century Netherlandish engravings was found in the Arctic circle in 1870, many questions arose. What do such objects, for example, tell us about narratives of Renaissance globalization? About “cultural exchange” …

10/30/17

Lecture: Spyros Papapetros–“Ornament and Evolution”

Spyros Papapetros, associate professor of history and theory of architecture at Princeton University, presents “Ornament and Evolution.” Enmeshed with the life histories of flourishing or atrophying social, political, and cultural organisms, turn-of-the-century discussions of the controversial topic of ornamentation invited …

10/21/17

Plonsker Family Lecture in Contemporary Art: Clifford Owens

Clifford Owens presents “Your Head is Attached to Your Body” as this year’s Annual Plonsker Family Lecture in Contemporary Art. Clifford Owens is an artist, writer, and curator. Influenced by performance art practices of the 1960s, he is known for live …

10/17/17

Lecture: Agnes Lugo-Ortiz, “Slave Portraiture”

Clark/Oakley Humanities Fellow Agnes Lugo-Ortiz presents, “Slave Portraiture at the Thresholds of Emancipation (A Caribbean Meditation).” This talk will address the visualization of enslaved subjects in portraiture during the period of emancipation in the Caribbean. It will underscore the conflictive …

10/5/17

Season Celebration at WCMA

Celebrate our fall exhibitions: “Barbara Takenaga,” “Pink Art,” “The Presence of Absence,” and “Object Lab.” Hear from artist Barbara Takenaga and guest curator Debra Bricker Balken followed by mini tours in the galleries. Thursday October 5th 5pm Williams College Museum …

9/26/17

Lecture: Victoria Rovine–“Cloth and Colonialism”

Clark Fellow Victoria Rovine presents “Cloth and Colonialism: France, French West Africa, and the Construction of Cultures.” Cloth’s soft, pliable nature makes it an improbable vehicle for the assertion of power, yet it played a singular role in the history …

9/12/17

Lecture: Matthew Jesse Jackson– “Everythingism”

Beinecke Fellow Matthew Jesse Jackson presents “Everythingism.” It could be argued that the most compelling art is no longer defined by particular media (painting, sculpture, photography, video), or by particular subjects (portraiture, landscape, still life, devotional image), or by particular …

6/17/17

Peter Trippi Lecture: From the Vanderbilts to Candid Camera

Few artists’ legacies have experienced the extreme highs and lows accorded to Sir Lawrence Alma-Tadema over the last century. Since the 1980s, private collectors and museum curators have rediscovered Alma-Tadema’s many charms. Peter Trippi, co-curator of a large Alma-Tadema exhibition …

6/11/17

Opening Lecture: Picasso’s Creative Collaborations

This talk by Manton Curator of Prints, Drawings, and Sculpture Jay A. Clarke investigates how Picasso’s creative collaborations fueled and strengthened his art. We often think of Pablo Picasso as the ultimate artist genius, working alone in his studio, but he …

6/4/17

Opening Lecture: Orchestrating Elegance

Co-curators Kathleen Morris and Alexis Goodin share stories behind the creation of the exhibition and show how this project brings back to life one of the great interiors of the Gilded Age.   Sunday, June 4, 2017 3:00 pm-4:30 pm …

5/12/17

Senior Studio Exhibition Reception

As contemporary as it gets, senior studio art students design and produce an exhibition of their work in the final semester of their college careers. Friday, May 12 at 7:00pm Williams College Museum of Art

5/5/17

Clark Conference: Ecologies, Agents, Terrains

The Research and Academic Program at the Clark Art Institute presents “Ecologies, Agents, Terrains,” a Clark Conference. What is the place of art and its histories in a time of ecological crisis? This conference will bring together art historians, artists, …

5/4/17

Opening Lecture: Ecologies, Agents, Terrains — Clark Conference

The Clark Conference “Ecologies, Agents, Terrains” begins its two-day conference with a presentation by Ghana ThinkTank. Ghana ThinkTank (GTT) is an artist collective known for its unconventional approach to negotiating social conflicts. Using a blend of public art and community …

4/26/17

Art Department Colloquium: Christopher Heuer

Art Department Faculty Colloquium Christopher Heuer, Acting Director, Research and Academic Program, Clark Art Institute presents “The Savage Episteme.” In 1566 two Inuit captured in Greenland, clad in sealskin and tattoos, were put on public display in the Netherlands. An …

4/25/17

Public Lecture–Mary Roberts: “An Orientalist Gesamtkunstwerk?”

Robert Sterling Clark Professor Mary Roberts presents “An Orientalist Gesamtkunstwerk? Frederic Leighton’s Arab Hall.” Throughout his career British artist Lord Frederic Leighton traveled extensively across the Near East amassing an exceptional collection of Islamic art. Distancing himself from prevailing conventions …

4/23/17

Opening Lecture–Lara Yeager-Crasselt on “Looking North and South”

In this lecture, “Looking Anew at European Prints and Drawings,” curator Lara Yeager-Crasselt introduces the exhibition Looking North and South: European Prints and Drawings, 1500–1650. Highlighting Dutch, Flemish, German, and Italian prints and drawings from the Clark’s permanent collection, Yeager-Crasselt …

4/18/17

Fellows Lecture–Tamara Sears: “Wilderness Urbanisms”

Clark Fellow Tamara Sears presents “Wilderness Urbanisms: Architecture, Landscape, and Travel in Southern Asia.” In the early 1340s, the sultan of Delhi tasked the famed Moroccan traveler, Ibn Battuta, with the job of accompanying a group of Mongol emissaries on …

4/13/17

Envisioning Curatorial Practice: Sarah Schultz

What does it mean to “curate the social”? Schultz’s talk will explore the role of social interaction and creative participation in contemporary museum practice. Currently an independent curator and public engagement consultant, she served as Director of Education and Curator …

4/11/17

Lynette Wallworth: Collisions

Lynette Wallworth is an Australian artist known for her immersive multimedia installations, which focus on the interactivity between humans and the natural world. Her most recent work is Collisions, a virtual reality investigation into the first contact between an indigenous Australian …

4/7/17

Clark Colloquium–Art: Creative Care

April 7-9, 2017 Convened by Kaira M. Cabañas (University of Florida) and Suzanne Hudson (University of Southern California) Participants: Lynne Cooke (National Gallery of Art), Ivone Margulies (Hunter College), Briley Rasmussen (Independent Scholar), Ana Maria Reyes (Boston University), Judith Rodenbeck …

4/6/17

Close Look: Robert Rauschenberg: Autobiography

Hear from students from the Robert Rauschenberg: Art Archives and Exhibitions course about their experience exploring the archives and developing the exhibition. Thursday, April 6 at 4:00pm Williams College Museum of Art

4/4/17

Fellows Lecture–Delinda Collier: “Natural Media”

Mellon Decade Fellow Delinda Collier presents “Natural Media—Light, Water, and Wind—in Souleymane Cissé’s Finye (1982) and Yeelen (1987) .” Cissé’s un-commonsense proposition about “new” mediums is that they are both reducible to natural media and arbitrarily connected to language. This …

3/26/17

Public Lecture–Julie Nelson Davis: Ukiyo-e Prints: Images of the Floating World

Professor of History of Art Julie Nelson Davis, University of Pennsylvania, presents a lecture on ukiyo-e (“images of the floating world”) prints, considering their subject matter, networks of production, and the historical context in which they were created. Sunday, March 26, …

2/28/2017
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3/16/17

WCMA: Season Celebration

Season Celebration at WCMA of spring exhibitions: Lex and Love, Robert Rauschenberg: Autobiography, and Accession Number. March 16, 2017 5 PM    

3/15/17

Fellows Lecture–Ivan Gerát: “Image, Narrative, and Mentality”

Clark Fellow Ivan Gerát presents “Image, Narrative, and Mentality: Recent Perspectives in Approaching Medieval Pictorial Legends.” The role of narratives in creative artistic processes and their influence on the historical functions of images open many fascinating questions in art history …

3/13/17

Ghana ThinkTank Talk: Moroccan and Indonesian Think Tanks

Members of the Moroccan and Indonesian think tanks share their experiences with climate change and talk about the solutions they proposed to Ghana ThinkTank in response to our climate change problems. Reception to follow. B.Y.O.C (bring your own cup). March …

3/9/17

Hybrid Practice Series: Caroline Woolard

Hybrid Practice Series: Caroline Woolard Artist Caroline Woolard’s performative talk should be very engaging (and even surprising!). In particular, she will highlight the role of infrastructure– or organizational systems–in the life cycle of artistic projects. This idea is a critical …

3/9/17

Photography Exhibit: “Endgame Afghanistan”

Endgame Afghanistan In conjunction with the Theater of War, the Gaudino Fund presents a photography exhibit by soldier-turned-photographer Ben Brody. Working primarily for the nonprofit GroundTruth Project, Brody “spent several years embedded in Afghanistan, producing this complex, haunting series, which lays …

3/7/17

Fellows lecture–Jeehee Hong: Framing Affect and Vision in Middle-Period China

Kress Fellow in the Literature of Art Jeehee Hong presents “Framing Affect and Vision in Middle-Period China.” This paper addresses how emotional expressions were shaped in material form through various modes of visual and spatial experiences in middle-period China (ninth–fourteenth …

12/16/2016
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3/5/17

Opening Lecture for “An Inner World”: Lara Yeager-Crasselt

In the opening lecture for An Inner World: Seventeenth-Century Dutch Genre Painting, curator Lara Yeager-Crasselt explores the innovations in genre painting that emerged in the seventeenth-century Dutch Republic. Focusing on the significant developments in subject matter and technique pioneered by …

3/2/17

Walk-through “Accession Number” at WCMA

Accession Number February 16, 2017 – August 20, 2017 Between 1960 and 1962, 396 works of art came into the museum. As with all objects that enter the collection, ancient Egyptian amulets, Chinese Qing dynasty vases, and William Morris Hunt’s …

3/1/17

Art Department Colloquium: Emmelyn Butterfield-Rosen

Emmelyn Butterfield-Rosen, Post-Doctoral Fellow in the Williams Graduate Program in the History of Art, presents Art Department Faculty Colloquium “Beethoven’s Farewell”: The Creative Genius “in the Claws of the Secession.” This talk is drawn from a larger research project that examines a …

2/28/17

Fellows lecture–Marden Fitzpatrick Nichols “The Painted Stage”

Clark/Oakley Fellow Marden Nichols presents “The Painted Stage: Drama in Pictures and Pictures in Drama at Rome.” Despite the undeniable importance of sound and song to dramatic performances, the ancient Romans referred to their audiences as spectatores, or viewers. This …

2/24/17

Site/Border: The Fragility of Narration–a Clark Colloquium

Site/Border: The Fragility of Narration Clark Colloquium February 24-25, 2017 Convened by Avinoam Shalem (Williams College/Columbia) and Christopher Heuer (RAP/Clark) Participants: Yto Barrada (Brooklyn-based artist), Holly Edwards (Williams College), Jérôme Game (Columbia University), Peter Geimer (Freie Universität), Emily Jacir (Palestine-based …

2/19/17

Conversation with Kathleen Morris and Alexis Goodin: Planning the Burrows Gallery of American Decorative Arts

Kathleen Morris, curator of decorative arts, and Alexis Goodin, curatorial research associate, give a behind-the-scenes glimpse into planning the Henry Morris and Elizabeth H. Burrows Gallery of American decorative arts, an installation over six years in the making. Their conversation …

1/26/17

Ghana Think Tank Project Hub Opening

Ghana Think Tank Opening Celebration! Students from the Public Art and Climate Change winter study course take over WCMA’s rotunda with an immersive installation that responds to the climate change problems collected this past Fall. Bring your own cup to …

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