Professor Julia Bryan-Wilson teaches modern and contemporary art at UC Berkeley with a focus on art since 1960 in the US, Europe, and Latin America. Her research interests include theories of artistic labor, feminist and queer theory, performance, production/fabrication, craft histories, photography, video, visual culture of the nuclear age, and collaborative practices. She is the author of Art Workers: Radical Practice in the Vietnam War Era (University of California Press, 2009); Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing (with Glenn Adamson, Thames & Hudson, 2016); and Fray: Art and Textile Politics (University of Chicago, 2017). She is the editor of OCTOBER Files: Robert Morris (MIT Press, 2013), and co-editor of two special journal issues (“Visual Activism,” Journal of Visual Culture, 2016; and “Time Zones: Durational Art in its Contexts,” Representations, 2016).
Mel Y. Chen is Associate Professor of Gender & Women’s Studies and an affiliate of the Center for Race and Gender, the Center for Science, Technology, Medicine, and Society at UC Berkeley and serves as a core member of the Haas Institute’s Disability Studies and LGBTQ Citizenship Clusters. Mel’s research and teaching interests include queer and gender theory, animal studies, critical race theory, Asian American studies, disability studies, science studies, and critical linguistics. Mel’s book Animacies: Biopolitics, Racial Mattering, and Queer Affect (Duke UP 2012, Alan Bray Memorial Award), explores questions of racialization, queering, disability, and affective economies in animate and inanimate “life.” Further writing can be found in Women’s Studies Quarterly, GLQ, Discourse, Women in Performance, Australian Feminist Studies, Amerasia, and the Journal of Literary and Cultural Disability Studies. With series coeditor Jasbir K. Puar, Mel recently inaugurated a new book series called “Anima” highlighting scholarship in critical race and disability post/in/humanisms at Duke University Press.